Jodelle Ferland to Play Lizzy in Locked in a Garage Band, the movie

Once again I'm blogging from the ferry from Victoria to Vancouver. This time, I'm on my way to LA for Elton John's Oscars Party tomorrow! WOOHOO!

But in other exciting news, Jodelle Micah Ferland has agreed to play Lizzy in our movie, Locked in a Garage Band. Jodelle played Bree Tanner in Twilight Eclipse, and Sharon/Elissa in Silent Hill. She's been in a tonne of tv shows & movies, so check out her IMDB page to see her full resume.

Needless to say, we're really excited! We have another actor from the Twilight movies reading the script, and we're working on casting a few more of the lead characters with other stars. I'm looking forward to meeting up with some actors this weekend - watch this space!

6 more days on our kickstarter campaign.
Please keep spreading the word & getting those pledges in! We're 19% of the way there, so this is going to take one heck of a push to make it to 100%.

Actors Review the Script

We have a story consultant who's working with Jen (the writer/director in our team) but figured it was time to send the actors and a couple of movie industry friends the script as it is now.

Here are the emails I've received so far:

"Omg, omg,omg...

This was fantastic Victoria. I was expecting it to be good but I was honestly blown away.

I was lying here reading it by myself and laughing out loud...a lot.
'This shit just got real' is a killer line.

Can't wait to see the finished product."

"OMG OMG OMG
the best.

I can't wait to do this.
THIS IS THE BEST!!!

mmm-whah!"

"Omg!!! I love it!! Soo funny :) this is gonna be fun, u have some good writin skillz ma-lady"

And in other news, it looks like I'm going to be in LA on February 27th heading off to an Oscars party. Woohooo!

Reflections on Holding Auditions for Locked in a Garage Band

We held auditions in Vancouver this past weekend, for our first feature film, Locked in a Garage Band.  I thought I should write down a few reflections about the process before I forget.

Here goes:

• Casting Directors rock.  Seriously, I don't know what we would have done without Kristina Agosti, our incredibly positive, happy & hilarious casting director.  Kristina knows my sister, Jen, the writer-director in our team, from Jen's Praxis screenwriting win last year.  She was one of the actors hired on as a reader for Jen's Christmas script.   When she saw our casting call, she gave us a buzz to discuss the film & we hired her on the spot.  Kristina's well connected in the Vancouver acting community, as an experienced actor herself.  Plus, she's funny & ridiculously easy to work with.  Score!

• Being organized is key.  When Yukari (our line producer) and I sat down to work out the audition schedule last week, we really focused on having room to catch up on any missed time, just in case we needed it.  This made it so we were never more than 10 minutes behind schedule, which the actors really appreciated.

• Being frugal doesn't mean being dodgey.  We managed to get our audition budget down from $850 to $440 by simply looking at all our options.  At first we looked to acting schools like Shoreline & VADA in Vancouver but their prices (while reduced) were still too high for us.  So, we then looked to community centres but they were mostly booked by the time we contacted them. Finally we looked to hotels.  In the middle of a meltdown about budgeting, I remembered that I have lots of airmiles from all my travels and credit card purchases, so I was able to use my points to book us a hotel room for free.  We then chatted up the Westin Conference booking person and convinced her to cut us a deal for the actor's waiting room. Ba-da-boom!  Instant savings.  But that's just the money stuff. The interesting point here is that we heard so many of our actors saying that it was such a relief to be in a nice hotel for a change.  A few of the women said they were used to going to dodgey back-alley type auditions.

• Being positive makes for a positive experience for all.  Quite a few actors sent us emails or gave us thanks at the audition for being so enthusiastic and positive with them.  They said that they're used to going to auditions where the producers don't even speak to them and it's all business all the time.  Our film is a comedy, so we laughed quite a bit during their auditions and I imagine that's what they were referring to.  I also made sure to say "Have fun!" when I brought them to their first auditions, and thanked them for returning to the call-backs. Some of the women even said that it was refreshing to go into an audition run by women for a change.  Weird - I'm always shocked to see how few women are in our positions, but I guess that must be true.

• Videos are essential. We used Jen's Nikon D90 to record the auditions and review them all again, some even 5 times!  Watching them audition in person is cool, but we had heard that it was really important to see them on camera as well and I'm relieved we followed that advice.  It really helped us to remember their performance a few hours later, and to see what they'd look like on the TV screen.

• Snacks rock.  'Nuff said.

• Skype auditions are always an option.  We had more than 250 submissions just from British Columbia actors alone.  I didn't count how many out-of-province submissions, because I had to just delete them all - but I think it was probably at least 500.  All the way from Ireland and England to all across the USA, we had actors that we thought would be perfect in the roles, until we saw their locations.  In the end, we gave 2 auditions via skype, but only to 2 actors - a guy from Austin who I met at AFF and a girl from London who I met in Alaska this summer.  Both are experienced actors, and fit the roles perfectly.  My sister resisted the skype auditions and felt like we were wasting their time, until she met them online.  They both nailed their auditions & were hired within a few hours.  Even though we had seen 7 actors per character in Vancouver, 2 of those characters ended up being cast by skype.

• Follow your gutt. It's always right.  I relate auditions to dating - if I go on a date with a guy and feel iffy afterwards about whether I want to see him again, then I know it's a no.  I do the same thing in my day-job where I interview teachers to work abroad.  I have to trust my gutt.  It's always right. So when we were unsure of an actor for a specific character, we ended up just not casting the role.  On the other hand, Jen is creating a character for one actor that wasn't right for the part he came in for, but showed such enthusiasm and talent that she just had to hire him.  That was a gutt-decision.

Any questions? Comments? Suggestions? Ramblings?

Casting Call - Locked in a Garage Band

Can't believe we've already put out the call for actors for our little feature film.  I've already received 80 CVs and headshots, and it's only been 24 hours.  Some are seriously random, but most look really amazing.  I guess that's what happens in an open casting call right? 

And now we have our first scheduling conflict - I've announced the audition dates on a tonne of sites, and now...I might have to schedule them for one week later.   But I'll sleep on it and see if somehow by the time I wake up, it will have sorted itself.  C'mon universe - make it easy will ya?

We also have actor-friends in LA, Austin and London, England who want to audition virtually, which I really want to figure out how to do.  Surely, others have held Skype auditions in the past? 

Here's the casting call:

'Locked in a Garage Band'

Elgin Road Production Company is casting Locked in a Garage Band, a non-union micro-budget feature film in which a garage band is inadvertently locked in a garage for a day. 10-12 day shoot on the Red Camera scheduled to start mid-Apr 2011 (paid).

A teaser/trailer is being shot on Dec. 11th 2010 in Victoria or Vancouver (TBA) - - Meals/transportation provided.

Auditions in Victoria on Dec. 2nd and Vancouver on Dec 4th & 5th. Read on for details.

Seeking—Richie: 18-20, Lead Guitarist (with some musical skill, but not necessary), very good looking, any ethnicity, manipulative, ladies man.

Scott: 18-20: Lead Singer (less than 20 seconds of actual singing involved), any ethnicity.

Jason Schinder: 18-20, Drummer (again, very little actual drumming involved), Jewish, comedic actor, our comic relief.

Abby: 18-20, good girl, wants to be the lead singer (should be comfortable singing), any ethnicity.

Meadow: 18-20, rebellious, edgy. Guitarist (again, very little actual strumming), any ethnicity.

Laura-Kate: Goodie two shoes, daddy's girl, preppy, any ethnicity.

Send pix, résumés, and email address no later than November 30th, 2010. Successful candidates will be sent sides and details about their audition dates/times via email on or before Dec. 1st, 2010.

Food & Transportation provided for Teaser/Trailer, & 10-12 day feature film shoot is paid.